Nahaufnahme eines Mikrofons auf Bühne mit unscharfem Hintergrund in Konzertatmosphäre.
© Pixabay / Skitterphoto
Poetry Slam

Word art on Hamburg's stages.

Experience culture. Poetry Slam in Hamburg

Hamburg stands for art and culture through and through. And over the years, poetry slams have gained a firm place in Hamburg's cultural programme. Those who want to see young lyrical talents have the opportunity to do so in Hamburg almost every week. The young poet scene meets here regularly on stage to compete and inspire the audience. And with the "artistic duels", the city even has its own unofficial championship. Here, you'll find an overview of current events and the most frequent venues.

    The home of the Poetry Slam in Hamburg.

    Symbolbild
    © Pixabay

    Neugrabener Markt

    On Tuesdays, Thursdays and Saturdays there is always fresh produce from the region in the Marktpassage.

    Neugrabener Markt
    Nils Landgren
    © ACT / Nikola Stankovic

    Nils Landgren

    For many years, the trombonist, singer and producer Nils Landgren – now well-established as one of Europe’s most versatile, creative and successful jazz musicians – dreamed of putting on a musical Christmas celebration in the company of good friends and with a selection of the many, very diverse Christmas songs he had come across over the course of his career. That dream became reality in 2006. And because »Christmas With My Friends« soon became known among fans and critics alike as one of the best Christmas records ever made, Landgren is taking the programme on tour again in 2025.

    PERFORMERS

    Nils Landgren trombone and director

    & friends

    PROGRAM

    »Christmas with my friends«

     

    Nils Landgren
    KVH25 21Century Web_148x105mm_Lay10_01-02-03-04
    © William E. Jones, The Fall of Communism as Seen in Gay Pornography, 1998. Courtesy the artist and David Kordansky Gallery

    On the Origins of the 21st Century or the Fall of Communism as Seen in Gay Pornography

     

    Through five curated sections, this cluster of exhibitions examines the role of intimacy, gender, and sexuality through visual cultures in the context of political regime changes in Europe from the 1980s until today. Artworks that engage with the Fall of the Berlin Wall and its consequences shed light on the emergence of a power vacuum, in a moment often referred to as the end of history, and the struggles emerging within new hegemonies informed by gender and sexuality. The title references Jean-Luc Godard’s f ilm Origins of the 21st Century, which anticipates developments in visual culture that synthesise violence and the erotic into an era of the “hardcore” at the turn of the millennium – a time when uncensored images increasingly begin to enable and establish new political spaces. The exhibition seeks the origins of this hardcore visual culture not in cinema, but in video and television media, locating them as the dominant tools of discourse and power in a then- accelerating postmodernity.

    Curated by Angela Harutyunyan, Charles Teyssou und Pierre-Alexandre Mateos, Dina Akhmadeeva, Elisa R. Linn, Erika Balsom.

    With works by:

    Sona Abgaryan, Jürgen Baldiga, Annemirl Bauer, Maria Grazia Belmonti, Anna Mária

    Beová, Bärbel Bohley, Günter Brus, Anna Carini, Michel Carrouges, Shu Lea

    Cheang, Mahmoud Dabdoub, Lutz Dammbeck, Rony Daopoulo, Anna Dauíková, Paola De

    Martiis, De-Zentralbild, Mark Dion, Peter Friedl, Nikolay Georgiev, Wiktor Grodecki, Diana

    Hakobyan, Nguyen Tan Hoang, Jayne-Ann Igel, Libue Jarcovjáková, William E. Jones, David

    Kareyan, Tigran Khachatryan, Pierre Klossowski, Künstlerinnengruppe Erfurt, Raja Lubinetzki,

    Materialien aus dem Archiv GrauZone, Paul McCarthy, Tiona Nekkia McClodden, Bjarne

    Melgaard, Annabella Miscuglio, Clara Mosch, Namenlos, Ladies Neid, Shz Numa, César

    Olhagaray, Geraldo Paunde, Ulrich Polster, Núria Quevedo, Loredana Rotondo, Ronald M.

    Schernikau, Sarah Schulman, Harout Simonian, Gabriele Stötzer, Sandra Teitge, Tsomak, Ralf-

    Rainer Wasse, Jürgen Wittdorf, frau anders, Rosa von Praunheim

    Organised by Milan Ther, with Christian Bätjer, Dr Martin Karcher, and Sarah Messerschmidt

     

    On the Origins of the 21st Century or the Fall of Communism as Seen in Gay Pornography
    010_SouthbeachJoerg_Modrow_1295 - Kopie
    © Jörg Modrow

    OPEN ART: "Florida - Between Nature and Neon Lights"

    Florida, a place of longing: The 32nd OPEN ART exhibition, “Florida – Between Nature and Neon Lights,” at the Überseequartier focuses on both the well-known and hidden sides of the US state.

    For the first time, Überseequartier and tour operator CRD Touristik are exhibiting around 50 large-format photographs from Hamburg photographer Jörg Modrow's numerous trips to the Sunshine State: They show impressions of cities such as Miami and Fort Lauderdale, Orlando's theme parks and tourist attractions, as well as almost forgotten places and the wild nature of the Everglades and the Keys.

    The outdoor exhibition will be accessible free of charge around the clock on Überseeboulevard in Hamburg's HafenCity until mid-April 2026.

    OPEN ART: "Florida - Between Nature and Neon Lights"
    Orchester im Treppenhaus
    © Anna Kristina Bauer

    Orchester im Treppenhaus

    In the next instalment of its »Dark Room« series, the multi-award-winning ensemble will present the »Polar Concert in the Dark« together with star saxophonist Asya Fateyeva: The audience is led into darkness, where they experience a live radio play about polar explorers Robert Falcon Scott and Roald Amundsen, who in 1911 engaged in a bitter and deadly race across the icy expanses of Antarctica in their attempt to be the first humans to reach the South Pole.

    PERFORMERS

    Orchester im Treppenhaus chamber ensemble

    Asya Fateyeva saxophone

    Timmo Niesner narrator

    Martin Kautz narrator

    Thomas Posth conductor

    PROGRAM

    »A polar concert in the dark«

     

    Philip Glass
    Konzert für Violine und Orchester

    Lili Boulanger
    D’un Vieux Jardin

    Lili Boulanger
    Cortège

    Nadia Boulanger
    Vers la vie nouvelle pour piano

    Nadia Boulanger
    Petites pièces pour piano (Auswahl)

    Bearbeitungen für Kammerorchester

     

    Orchester im Treppenhaus
    OST---Pauline-Schönfelder---Mitch-Stöhring-2-slider
    © Mitch Stöhring

    OST (Original Soundtrack)

    Pauline Schönfelder
    Culinary concert performance

    This year, Pauline Schönfelder is the same age as her parents were when the country they were born into simply disappeared. Growing up with memories of a country that no longer exists. But how can you talk about something you haven't experienced yourself?

    Schönfelder invites people to a concert, a dance, and a cold buffet. In her wildest fantasy, she reimagines the GDR she never knew, to discover what what is no longer tastes and sounds like. Again and again, she wriggles around the shame of her own ignorance, the gap between narrative, imagination, and experience.

    OST is a culinary concert performance and a communal negotiation of what has become deeply inscribed as an emotional legacy. Everyday life, anecdotes, and autofiction feed the soundtrack of the collective question mark of an entire generation and ultimately point far beyond it.
    ------
    Duration: approx. 60 minutes
    Language: German
    ------

    Artistic direction, concept, composition, performance: Pauline Schönfelder / Artistic collaboration: Anne Pretzsch / Musical direction, composition: Tom Gatza / Songwriting advice: Lisa Eveline Kögler / Stage, costume: Christopher Dippert / Live camera: Seda Kaçak / Dramaturgy: Barbara Schmidt-Rohr / Production management: Isabelle Rohlfs / Photo: Mitch Stöhring
    ------

    Funded by: Hamburg Authority for Culture and Media, Hamburg Cultural Foundation, Claussen‑Simon Foundation.

    OST (Original Soundtrack)

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