Nahaufnahme eines Mikrofons auf Bühne mit unscharfem Hintergrund in Konzertatmosphäre.
© Pixabay / Skitterphoto
Poetry Slam

Word art on Hamburg's stages.

Experience culture. Poetry Slam in Hamburg

Hamburg stands for art and culture through and through. And over the years, poetry slams have gained a firm place in Hamburg's cultural programme. Those who want to see young lyrical talents have the opportunity to do so in Hamburg almost every week. The young poet scene meets here regularly on stage to compete and inspire the audience. And with the "artistic duels", the city even has its own unofficial championship. Here, you'll find an overview of current events and the most frequent venues.

    The home of the Poetry Slam in Hamburg.

    Neue Philharmonie Hamburg / Dmitry Ishkhanov
    © Dmitry Ishkhanov

    Neue Philharmonie Hamburg / Dmitry Ishkhanov

    The Neue Philharmonie Hamburg was founded in 2003 and is made up of freelance professional musicians from all over the world. Its artistic portfolio focuses on symphonic music from the Baroque to the Modern periods. In addition, the Neue Philharmonie Hamburg also regularly appears in smaller formations, such as chamber music ensembles.

    PERFORMERS

    Neue Philharmonie Hamburg orchestra

    Dmitry Ishkhanov piano

    PROGRAM

    Wolfgang Amadeus Mozart
    Divertimento F-Dur KV 138

    Wolfgang Amadeus Mozart
    Konzert für Klavier und Orchester A-Dur KV 414

    - Interval -

    Wolfgang Amadeus Mozart
    Sinfonie A-Dur KV 201

    Neue Philharmonie Hamburg / Dmitry Ishkhanov
    Symbolbild
    © Pixabay

    Neugrabener Markt

    On Tuesdays, Thursdays and Saturdays there is always fresh produce from the region in the Marktpassage.

    Neugrabener Markt
    Reiche_ocircus_bild3
    © Claudia Reiche, Verena Gerlach

    O | Circus, Artists, Images, Words, by Claudia Reiche

    Photo exhibition, installed with video, mixed media & book

    Book release at the opening, November 6, 6pm

    Who still knows traveling people who practice the art of the circus in a centuries-old family tradition? This way of life has become rarer, especially in times when borders and walls have taken on new, deadly significance—particularly for people on the move. The photo exhibition shows pictures taken by Claudia Reiche in the 1980s of artist families and fellow travelers of the ‘Circus Royal’, which toured in and around Hamburg at the time and also made guest appearances at the adjacent Heiligengeistfeld. Descendants are still traveling in the circus and show business today – these situations are also captured with the camera.

    A fundamental question that runs through the entire exhibition in literary form in a manifesto is how deviant lifestyles are perceived. Today, ‘circus’ stands less for flying humans and the dream of a liberated life. Instead, ‘stones fly’ at the ‘circus’, which has become popular as a symbol of the unfathomable other, even of a feared or celebrated evil. Clown costumes are popular as horror masks, politicians are mocked or elected as incompetent clowns. In other words, ‘circus’ is everywhere and circus is disappearing more and more. So where is the circus ring?

    Guest at the Millerntorwache: Claudia Reiche: O | CIRCUS

    The Millerntorwache is a branch of the Museum of Hamburg History, run by the Alfred Toepfer Foundation F.V.S.

    Claudia Reiche
is an artist, media scholar, and curator. She deals with questions of mediality, psychoanalysis, film, and visual cultures, as well as the epistemological, aesthetic, and political implications of digital technologies. She has been teaching in the theoretical and artistic fields for many years and publishes her work. She also creates web projects, film and photography works, and exhibitions, and is active in feminist and queer projects.

    O | Circus, Artists, Images, Words, by Claudia Reiche
    KVH25 21Century Web_148x105mm_Lay10_01-02-03-04
    © William E. Jones, The Fall of Communism as Seen in Gay Pornography, 1998. Courtesy the artist and David Kordansky Gallery

    On the Origins of the 21st Century or the Fall of Communism as Seen in Gay Pornography

     

    Through five curated sections, this cluster of exhibitions examines the role of intimacy, gender, and sexuality through visual cultures in the context of political regime changes in Europe from the 1980s until today. Artworks that engage with the Fall of the Berlin Wall and its consequences shed light on the emergence of a power vacuum, in a moment often referred to as the end of history, and the struggles emerging within new hegemonies informed by gender and sexuality. The title references Jean-Luc Godard’s f ilm Origins of the 21st Century, which anticipates developments in visual culture that synthesise violence and the erotic into an era of the “hardcore” at the turn of the millennium – a time when uncensored images increasingly begin to enable and establish new political spaces. The exhibition seeks the origins of this hardcore visual culture not in cinema, but in video and television media, locating them as the dominant tools of discourse and power in a then- accelerating postmodernity.

    Curated by Angela Harutyunyan, Charles Teyssou und Pierre-Alexandre Mateos, Dina Akhmadeeva, Elisa R. Linn, Erika Balsom.

    With works by:

    Sona Abgaryan, Jürgen Baldiga, Annemirl Bauer, Maria Grazia Belmonti, Anna Mária

    Beová, Bärbel Bohley, Günter Brus, Anna Carini, Michel Carrouges, Shu Lea

    Cheang, Mahmoud Dabdoub, Lutz Dammbeck, Rony Daopoulo, Anna Dauíková, Paola De

    Martiis, De-Zentralbild, Mark Dion, Peter Friedl, Nikolay Georgiev, Wiktor Grodecki, Diana

    Hakobyan, Nguyen Tan Hoang, Jayne-Ann Igel, Libue Jarcovjáková, William E. Jones, David

    Kareyan, Tigran Khachatryan, Pierre Klossowski, Künstlerinnengruppe Erfurt, Raja Lubinetzki,

    Materialien aus dem Archiv GrauZone, Paul McCarthy, Tiona Nekkia McClodden, Bjarne

    Melgaard, Annabella Miscuglio, Clara Mosch, Namenlos, Ladies Neid, Shz Numa, César

    Olhagaray, Geraldo Paunde, Ulrich Polster, Núria Quevedo, Loredana Rotondo, Ronald M.

    Schernikau, Sarah Schulman, Harout Simonian, Gabriele Stötzer, Sandra Teitge, Tsomak, Ralf-

    Rainer Wasse, Jürgen Wittdorf, frau anders, Rosa von Praunheim

    Organised by Milan Ther, with Christian Bätjer, Dr Martin Karcher, and Sarah Messerschmidt

     

    On the Origins of the 21st Century or the Fall of Communism as Seen in Gay Pornography
    010_SouthbeachJoerg_Modrow_1295 - Kopie
    © Jörg Modrow

    OPEN ART: "Florida - Between Nature and Neon Lights"

    Florida, a place of longing: The 32nd OPEN ART exhibition, “Florida – Between Nature and Neon Lights,” at the Überseequartier focuses on both the well-known and hidden sides of the US state.

    For the first time, Überseequartier and tour operator CRD Touristik are exhibiting around 50 large-format photographs from Hamburg photographer Jörg Modrow's numerous trips to the Sunshine State: They show impressions of cities such as Miami and Fort Lauderdale, Orlando's theme parks and tourist attractions, as well as almost forgotten places and the wild nature of the Everglades and the Keys.

    The outdoor exhibition will be accessible free of charge around the clock on Überseeboulevard in Hamburg's HafenCity until mid-April 2026.

    OPEN ART: "Florida - Between Nature and Neon Lights"
    Orchester im Treppenhaus
    © Anna Kristina Bauer

    Orchester im Treppenhaus

    In the next instalment of its »Dark Room« series, the multi-award-winning ensemble will present the »Polar Concert in the Dark« together with star saxophonist Asya Fateyeva: The audience is led into darkness, where they experience a live radio play about polar explorers Robert Falcon Scott and Roald Amundsen, who in 1911 engaged in a bitter and deadly race across the icy expanses of Antarctica in their attempt to be the first humans to reach the South Pole.

    PERFORMERS

    Orchester im Treppenhaus chamber ensemble

    Asya Fateyeva saxophone

    Timmo Niesner narrator

    Martin Kautz narrator

    Thomas Posth conductor

    PROGRAM

    »A polar concert in the dark«

     

    Philip Glass
    Konzert für Violine und Orchester

    Lili Boulanger
    D’un Vieux Jardin

    Lili Boulanger
    Cortège

    Nadia Boulanger
    Vers la vie nouvelle pour piano

    Nadia Boulanger
    Petites pièces pour piano (Auswahl)

    Bearbeitungen für Kammerorchester

     

    Orchester im Treppenhaus

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