Nahaufnahme eines Mikrofons auf Bühne mit unscharfem Hintergrund in Konzertatmosphäre.
© Pixabay / Skitterphoto
Poetry Slam

Word art on Hamburg's stages.

Experience culture. Poetry Slam in Hamburg

Hamburg stands for art and culture through and through. And over the years, poetry slams have gained a firm place in Hamburg's cultural programme. Those who want to see young lyrical talents have the opportunity to do so in Hamburg almost every week. The young poet scene meets here regularly on stage to compete and inspire the audience. And with the "artistic duels", the city even has its own unofficial championship. Here, you'll find an overview of current events and the most frequent venues.

    The home of the Poetry Slam in Hamburg.

    Drei Haselnüsse für Aschenbrödel
    © Martin Zemp

    Drei Haselnüsse für Aschenbrödel / Three Hazelnuts for Cinderella Drei Haselnüsse für Aschenbrödel / Three Hazelnuts for Cinderella

    »A little hat with feathers, a crossbow over the shoulder – but it is not a hunter. A silver-knitted dress with a train to the ball – but a princess it is not.« Anyone who can solve this riddle will undoubtedly make you part of the huge fan community of »Three Hazelnuts for Cinderella«. All fans of the classic cult film can already look forward to the coming Christmas season in particular: then, after sold-out dates last year, the wonderful fairy-tale classic can finally be experienced again in radiant cinema format and with a large orchestra.

    PERFORMERS

    Hamburger Camerata orchestra

    Gianluca Febo conductor

    PROGRAM

    Drei Haselnüsse für Aschenbrödel (Direction: Václav Vorlíček, ČSSR, DDR, 1973)

     

    Drei Haselnüsse für Aschenbrödel / Three Hazelnuts for Cinderella Drei Haselnüsse für Aschenbrödel / Three Hazelnuts for Cinderella
    SPT_Weihnachtsmärchen_2025_Banner_16_9_Illustration Bärbel Fooken
    © Bärbel Fooken

    Eine Weihnachtsgeschichte nach Charles Dickens

    in a version by Cornelius Henne and Felix Bachmann with music by Dominik Dittrich

    With lots of live music!

    "Merry Christmas? – Pah, humbug, nonsense!" For Ebenezer Scrooge, human emotions and warmth are a complete waste of time. He is only interested in his business and the wealth he has accumulated, and is also a decidedly unfriendly person. A case for the three spirits of Christmas: On Christmas Eve, they take Scrooge on a journey through time, from the past to the future. They lead him back to his childhood and youth – what a grump he was even then. They show him how happily the people around him celebrate Christmas and how they can forget their worries for a change, and they look with him into his future, which will be sad and bleak if he continues to live so greedily and mercilessly. It would be a laugh if the spirits failed to warm the cold heart of the old miser with this journey. So will Ebenezer Scrooge become a different person and will he celebrate a merry Christmas after all?

    For many years, Felix Bachmann and his team have been responsible for the Christmas plays at the St. Pauli Theater. Following "The Jungle Book," "Robin Hood," and most recently "Peter Pan," among others, the program now features another classic of world literature, Dickens' "A Christmas Carol" – not at all dark, but full of humor, colorful imagery, and plenty of live music.

    For children ages 5 and up!

    With: Julika Frieß, Benjamin Leibbrand, Ilka Mahrholz, Florian Miro, Peter Neutzling, Nabil Pöhls

    Director: Felix Bachmann | Stage Design: Anna Myga Kasten | Costume Design: Martina Müller | Musical Director: Florian Miro

    Eine Weihnachtsgeschichte nach Charles Dickens
    Engel Maxi
    © Julia Duartes

    Engel Maxi

    Mrs. Claus has delivered all the presents, and heaven is empty. But one child has been forgotten! Angel Maxi secretly flies to Earth to deliver her beloved ukulele as a gift. Together with a Hamburg ship's rat, Maxi then discovers how to celebrate Christmas and what truly belongs to the festival of love.

    Engel Maxi
    Ensemble 1700 / Dorothee Mields / Matthias Brandt / Dorothee Oberlinger
    © Henning Ross

    Ensemble 1700 / Dorothee Mields / Matthias Brandt / Dorothee Oberlinger

    The shepherds were the first to learn of the birth of the infant Jesus on Christmas Eve – and in memory of this, they travelled to Italian cities for centuries with their bagpipes and shawms at Christmas to make music and pray. Recorder virtuoso Dorothee Oberlinger combines this tradition with the most beautiful Christmas Baroque music, complemented by Matthias Brandt’s fitting narratives to create a colourful, refreshingly kitsch-free Christmas tableau.

    PERFORMERS

    Ensemble 1700 chamber ensemble

    Li Piffari e le Muse ensemble

    Dorothee Mields soprano

    Dorothee Oberlinger recorder and direction

    Matthias Brandt reading

    PROGRAM

    »Pastorale« – Italian Christmas

     

    Arcangelo Corelli
    Concerto grosso in G minor, Op. 6/8 »Fatto per la Notte di Natale«

    Alessandro Marcello
    Concerto for Oboe, Strings and Basso continuo in D minor, S.Z 799

    Alessandro Scarlatti
    Oh di Betlemme altera povertà

    - Interval -

    Francisco Soto de Langa
    L’unico figlio

    Giovanni Antonio Guido
    L’Hyver

    Antonio Vivaldi
    Concerto for Flautino, Strings and Basso continuo in C major, RV 443

    Alfonso Maria de Liguori
    Tu scendi dalle stelle

    Johann Christoph Pez
    Passacaglia

    as well as Christmas-related readings from Italy

     

    Ensemble 1700 / Dorothee Mields / Matthias Brandt / Dorothee Oberlinger
    250901_Facebook_Ausstellung_Tiere
    © M.Diezmann, B.Bick, I.Landt, J.Beil, A.Fiedelak

    Exhibition and opening >>Fidele Fauna

    A crocodile on Altona beach or a wild herd of pigs as the fictional namesake of the Elbe island of Schweinesand – a large joint exhibition displays pictures of small, large, dangerous, cuddly or bizarre animals.

    ‘We believe that the diversity of the exhibition can provide great artistic enjoyment and pleasure for all generations, and we are very much looking forward to unleashing this artistic zoo on the public,’ says painter and graphic artist Miriam Diezmann, who has been responsible for the exhibitions in the gallery of the Elbschloss Residenz for two years.

    The works approach the animal world in very different artistic styles and show the artistic range with which the subject can be dealt with.

    Here: animals and humans in charming coexistence: a baby elephant that wants to read along. There: birds stealing the clothes of someone bathing in ice water.

    Horses that sweep us away with their energy. Big, round eyes to fall in love with. Alert eyes that look at us critically.

    The animal pictures evoke emotions in us. Are the motifs based on real events, or do they follow the stories that have been spread about them? Stories, or more precisely, poems with a wink, complement some of the pictures and complete the exhibition.

    Exhibition and opening >>Fidele Fauna

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