Nahaufnahme eines Mikrofons auf Bühne mit unscharfem Hintergrund in Konzertatmosphäre.
© Pixabay / Skitterphoto
Poetry Slam

Word art on Hamburg's stages.

Experience culture. Poetry Slam in Hamburg

Hamburg stands for art and culture through and through. And over the years, poetry slams have gained a firm place in Hamburg's cultural programme. Those who want to see young lyrical talents have the opportunity to do so in Hamburg almost every week. The young poet scene meets here regularly on stage to compete and inspire the audience. And with the "artistic duels", the city even has its own unofficial championship. Here, you'll find an overview of current events and the most frequent venues.

    The home of the Poetry Slam in Hamburg.

    MK&G_InspirationChina_DosemitdreiDrachen_Detail_QianlongAera_1736_1795_SlgMK&G_FotoMK&G_JoergArend_klein
    © Dose mit drei Drachen (Detail), China, Qing-Dynastie, Qianlong-Ära (1736-1795), MK&G, Foto: MK&G/Jörg Arend

    Inspiring China

    Selected highlights from the extensive collection of Chinese objects at MK&G, totaling over 3,000 items mediate principles of Chinese art such as modular design and the unity of script and image. The display includes ritual bronzes, imperial porcelain, carved lacquer, painting, calligraphy and woodblock prints.

    Inspiring China
    MK&G_InspirationJapan_SlgWalterGebhard_SuzukiKiitsu_Tänzerinnen_Detail_FotoTobiasEckmann
    © Suzuki Kiitsu, Tänzerinnen (Detail), Japan, 1. H. 19. Jh., Hängerolle, MK&G, Erworben mit Mitteln der Campe’schen Historischen Kunststiftung aus der Sammlung Walter Gebhard, Foto: MK&G/Tobias Eckmann

    Inspiring Japan

    With its new presentation of the East Asia Collection, the MK&G is celebrating the unbroken inspirational power of Japanese design. Now on display for the first time are paintings from the Edo period (1615–1868), Buddhist calligraphy and colour woodblock prints from the private collection of Walter Gebhard, acquired by the museum in 2021. The exhibition unfolds over two storeys: In the first part, the pictures enter into a dialogue with ceramics, lacquerware, bamboo baskets, metalwork and sword ornaments from the existing collection.

    Inspiring Japan
    International Mendelssohn Festival Hamburg 2026
    © Elke Hartl

    International Mendelssohn Festival Hamburg 2026

    »In the Rausch der Farben« conceives of sound as color, as light, as shifting perception. Johann Sebastian Bach’s First Cello Suite serves as a prism at the beginning, from which a multitude of shades unfold. Maurice Ravel and Claude Debussy translate this idea into a musical language that focuses on atmosphere and fleeting impressions. After the intermission, the »reimagined« Ciaconna offers a fresh perspective on the Baroque legacy, before Felix Mendelssohn Bartholdy’s String Quintet, Op. 87, weaves together the dimensions of clarity, color, and movement into a multi-layered soundscape.

    PERFORMERS

    Talich Quartet string quartet

    Jan Talich violin

    Roman Patočka violin

    Radim Sedmidubský viola

    Michal Kaňka violoncello

    Jiyoon Lee violin

    Anna Kreetta Gribajcevic viola

    Hartmut Rohde viola

    Niklas Schmidt violoncello

    Jens Bomhardt double bass

    Patrick Gallois flute

    Michel Lethiec clarinet

    Asya Fateyeva saxophone

    Álmos László Tallós harp

    Martín Zamorano piano

    PROGRAM

    Johann Sebastian Bach
    Suite No. 1 in G major, BWV 1007 for Solo Violoncello

    Maurice Ravel
    Introduction et Allegro für Flöte, Klarinette, Harfe und Streichquartett

    Claude Debussy
    Prélude à l’après-midi d’un faune

    - Interval -

    Johann Sebastian Bach
    Chaconne »

    Felix Mendelssohn Bartholdy
    Streichquintett B-Dur op. 87

    International Mendelssohn Festival Hamburg 2026
    International Mendelssohn Festival
    © Emanuel Schmidt

    International Mendelssohn Festival Hamburg 2026

    This concert is both a tribute and a reflection: music as an expression of humanity, musical culture, and tradition. Mozart’s String Quintet, K. 516, opens up a space of intense emotion, while Bach’s Double Concerto places the idea of musical dialogue at its heart. In the second part, a multifaceted panorama unfolds: the Larghetto from Mozart’s Clarinet Quintet, works by Volkmann and Piatti, and Baermann’s Adagio combine lyrical lines with sonic depth. Vivaldi’s Double Concerto leads this development back to Baroque virtuosity, before Pau Casals’ »Cant dels Ocells« concludes the evening as a quiet, haunting legacy.

    PERFORMERS

    Moses Mendelssohn Kammerorchester chamber orchestra

    Fine Arts Quartet string quartet

    Ralph Evans violin

    Efim Boico violin

    Gil Sharon viola

    Niklas Schmidt violoncello

    Mark Gothóni violin

    Josefine Natalia Kardinar violin

    Peijun Xu viola

    Niklas Schmidt violoncello

    Arto Noras violoncello

    Clemens Malich violoncello

    Michel Lethiec clarinet

    PROGRAM

    Wolfgang Amadeus Mozart
    String Quintet in G minor, KV 516

    Johann Sebastian Bach
    Concerto for Two Violins, Strings and Basso Continuo in D minor, BWV 1043

    - Interval -

    Wolfgang Amadeus Mozart
    Larghetto / aus: Klarinettenquintett A-Dur KV 581 »Stadler-Quintett«

    Robert Volkmann
    Andante mit Variationen für drei Violoncelli

    Alfredo Piatti
    Serenade für zwei Violoncelli und Klavier

    Heinrich Joseph Baermann
    Adagio für Klarinette und Streicher Des-Dur

    Antonio Vivaldi
    Concerto für zwei Violoncelli, Streicher und Basso continuo g-Moll RV 531

    Pau Casals
    Cant dels ocells (Lied der Vögel) für Violoncello und Streichorchester

    International Mendelssohn Festival Hamburg 2026
    International Mendelssohn Festival Hamburg 2026
    © Linux Photo Studio

    International Mendelssohn Festival Hamburg 2026

    »Elves in the Elphi« moves between fantasy, virtuosity, and sonic transformation. Carl Maria von Weber’s Violin Sonata opens with classical elegance, while Henriette Renié’s Harp Légende unfolds a floating, fairy-tale-like soundscape. The paraphrases on Bizet’s Carmen present music as a play on recognition and transformation, in which virtuosity becomes narrative power. In the second part, Weber’s Trio in G minor broadens the perspective into chamber music, before Mendelssohn’s A Midsummer Night’s Dream transforms the space into a poetic realm between reality and imagination—a dazzling interplay of lightness and magic.

    PERFORMERS

    Jiyoon Lee violin

    Niklas Schmidt violoncello

    Patrick Gallois flute

    Michel Lethiec clarinet

    Álmos László Tallós harp

    Juhani Lagerspetz piano

    Stepan Simonian piano

    PROGRAM

    Carl Maria von Weber
    Sonate für Violine und Klavier A-Dur op. 10/5

    Henriette Renié
    Légende d’après »les Elfes« de Leconte de Lisle

    Pablo de Sarasate
    Carmen-Fantasie für Violine und Klavier op. 25

    Georges Bizet
    »carmen strips«

    - Interval -

    Fanny Hensel
    Sechs Lieder op. 1 (Auswahl)

    Carl Maria von Weber
    Trio für Flöte, Violoncello und Klavier g-Moll op. 63

    Felix Mendelssohn Bartholdy
    Suite

    Encore:

     

    David Popper
    Elfentanz op. 39 für Violoncello und Klavier

    International Mendelssohn Festival Hamburg 2026
    International Mendelssohn Festival Hamburg 2026
    © Eva Maria Richter

    International Mendelssohn Festival Hamburg 2026

    »Playfulness and Elegance« explores the delicate balance between virtuosity and stylistic clarity. Jean-Marie Leclair’s sonata displays Baroque agility and structural precision, while York Bowen and Carl Maria von Weber highlight the viola as an expressive, richly colored instrument. After the intermission, Scarlatti’s sonatas unfold a concentrated form of musical expression that expands into perfect balance in Mozart’s Piano Concerto K. 488—a work in which elegance, transparency, and expression appear in ideal harmony.

    PERFORMERS

    Fine Arts Quartet string quartet

    Ralph Evans violin

    Efim Boico violin

    Gil Sharon viola

    Niklas Schmidt violoncello

    Peijun Xu viola

    Anna Kreetta Gribajcevic viola

    Jens Bomhardt double bass

    Stepan Simonian piano

    Alon Goldstein piano

    PROGRAM

    Jean Marie Leclair
    Sonate c-Moll op. 12/5 für zwei Violinen

    York Bowen
    Phantasy for Viola and Piano, Op. 54

    Carl Maria von Weber
    Andante und Rondo ungarese c-Moll J 79 für Viola und Klavier

    - Interval -

    Domenico Scarlatti
    Drei Sonaten für Klavier

    Wolfgang Amadeus Mozart
    Concerto for Piano and Orchestra in C major, KV 415 (387b)

    Wolfgang Amadeus Mozart
    Concerto for Piano and Orchestra in A major, KV 488

    International Mendelssohn Festival Hamburg 2026

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    © www.mediaserver.hamburg.de / Hinrich Carstensen

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