KAMISI – Irren ist männlich

• Comedy

1000 voices in the head, but the diagnosis is simply: great art. In his new, fast-paced, comic program, parodist, speech artist, comedian and entertainer Thomas Nicolai changes characters as quickly as Klaus Kinski once changed his mood. The freedom of assembly also applies under the skullcap and so the personified “Kessel Buntes” entangles all sorts of characters in scenes that sometimes provide unorthodox assistance in everyday life, sometimes reveal the strangest things, sometimes review historical events and usually escalate in a very stupid way in the end.
There are misunderstandings at all levels: Herbert Grönemeyer's comments leave more questions than answers. Or is it secretly sending satanic messages?
Was television better back then? Is it true that the 80s in our brains are stored, appropriately, primarily in the gray cells? Why is sweater icon Patrick Schleifer from Schkeuditz the last hope of entertainment?

No Thomas Nicolai comedy show would be complete without his musical parodies, which are lovingly detailed but otherwise quite offensive. Between Coldplay and Country, Max Raabe and Vamos a la Playa, between modern talking and modern electro sound, the ear canal and the laughing muscles are put under equal strain. The “säggsi” bard is once again accompanied by the congenially virtuoso long-term stage partner and keyboardist Robert Neumann, who, with his own enthusiasm, is happy to be used for any slapstick and made into a horst.
Whether as a hoodlum, MIme, or simulant, the eternal rascal Thomas Nicolai is merciless in highlighting typical things about our dear contemporaries in order to drag them, prominent or not, through the cocoa by the nose ring. In the end there is laughter upon laughter and the certainty that 1000 votes are better off with him than with some election candidates.