Caveman

• Comedy

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The American Rob Becker wrote CAVEMAN, the most successful solo piece in the history of Broadway. After CAVEMAN was cheered by millions in the United States, the modern cave man celebrated worldwide success. In this country too, the cult comedy in the translation by Kristian Bader and the direction by Esther Schweins inspires everyone who leads, led or wants to lead a relationship. Because CAVEMAN takes a very special look at the relationship between men and women.


Set in front of the door by his wife, Tom, the likeable hero in the relationship thicket, meets his ancestor from the Stone Age in the "magic underwear circle", who lets him share in wisdom thousands of years old: men are hunters and women are collectors. A fact that human evolution has not been able to change to date. Tom now knows first-hand what the average man has always suspected and wonders: "Why don't we just see women and men as completely different cultures? With different languages, different behaviors and different origins?" Inspired by this knowledge, Tom analyzes the strange universe of collectors: this mysterious world of best friends, shopping and sex. Tom also observes the lifestyle of the hunter with an immense need for communication, dry humor and an ironic look. It reveals what fulfillment “sitting around without talking” can mean, why men have to zap through the television program and that a conversation among hunters begins and ends at the same time with the words "Let's go to the basement, drill things".